Please visit my YouTube Channel for the complete list of videos.
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Gemini for violin solo (for Subharmonics) 1993. One of my first works using Subharmonics. There is the use of Subharmonic Octave (I obtain pitches one octave below the written note) and Subharmonic 3rd (I obtain pitches minor 3rd below the written note). This work is included in my solo album, The World Below G and Beyond.
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Eigenspace for Augmented Violin and Interactive Graphics. Graphics by Tomoyuki Kato: Visual Artist, Movie Director, Yoshito Onishi: Image Programing, Chisako Hasegawa: Visual Producer. Live footage from the premiere at Roulette in Brooklyn, Oct. 13, 2011. Harvestworks Media Arts Center commission.
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GuitarBotana for violin and Guitarbot with interactive computer (2004). Commissioned by Harvestworks Media Arts Center with grant from New York State Council on the Arts (NYSCA). This work is included in my solo album, Polytopia.
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Max for LIVE with Augmented Violin (IRCAM) Demonstration
Bowing expression of “sustaining” directly affects “agogig” a slight tempo fluctuations that makes this quantized MIDI piano sequence more human without “score following”. Live footage of a demonstration with IRCAM’s Bruno Zimborlin at Ableton AG Headquarters in Berlin (2010) |
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Br(arr. M. Kimura) Interactive version for violin and computer. IRCAM's "MO" bowing motion sensor controls the accompaniment running Ableton LIVE / Max for LIVE. Recorded live at CCRMA, Stanford Univ., 2012.
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Breuer Vivant for interactive audio/video (2015)
Inspired by the Breuer House designed by Marcel Breuer for MoMA's "House in the Garden" exhibit in 1948, currently located at the Pocantico Center of the Rockefeller Brothers Fund near Tarrytown, NY. Created during Composers Now inaugural residency award living in the house for a week at the Pocantico Center in October, 2014. Special Thanks to the Rockefeller Brothers Fund, Composers Now, and Harvestworks. IRCAM's "MO" sensor is tracking the violin bowing movements interacting with audio and visual effects using Max MSP. |